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Are You Experienced album cover

Are You Experienced

By Jimi Hendrix

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Released
May 12, 1967

Genres

  • psychedelic rock
  • blues rock
  • acid rock

The Story

Released on May 12, 1967 in the United Kingdom, Are You Experienced introduced the Jimi Hendrix Experience and established Jimi Hendrix as a groundbreaking guitarist and songwriter. Formed with bassist Noel Redding and drummer Mitch Mitchell, the trio developed a sound that blended blues, rock, and psychedelic experimentation. Working with producer Chas Chandler, Hendrix used the recording studio to explore guitar tone, feedback, and layered effects, shaping a distinctive sonic palette. Foxy Lady opens the album with a distorted riff and sustained feedback, immediately highlighting Hendrix’s guitar approach. Manic Depression follows with shifting rhythms and dynamic structure. Red House returns to a blues-based arrangement, emphasizing expressive guitar phrasing. Can You See Me and Love or Confusion expand the psychedelic direction with layered production and effects. I Don't Live Today introduces heavier guitar textures, while May This Be Love provides a more melodic contrast. Fire returns to a faster tempo with tight rhythm interplay. Third Stone from the Sun expands into an atmospheric instrumental featuring studio manipulation and layered sound design. Remember maintains the energetic pacing before the closing title track. Are You Experienced? uses reversed guitar and tape effects, emphasizing studio experimentation. The track’s layered production reflects the album’s broader emphasis on sonic exploration. Are You Experienced blends blues foundations with psychedelic experimentation and innovative guitar techniques. The album moves between heavy riffs, melodic passages, and atmospheric instrumentals. With its use of feedback, distortion, and studio effects, the record introduced a new approach to electric guitar and became a defining release of late-1960s rock.

What They Thought Then

Melody Maker - February 25, 1967

Paul McCartney

"This is yet another incredible record from the great Twinkle Teeth Hendrix!"

McCartney heard 'Purple Haze' before release in Melody Maker's Blind Date feature; the single later became the opening track of the US album.

Melody Maker - May 20, 1967

"stop, start, fade, fizzle, simmer, and burn in a cauldron of beautiful fire"

The album review also singled out 'Manic Depression,' 'Red House,' 'I Don't Live Today,' '3rd Stone From the Sun,' and the title track.

New Musical Express - May 20, 1967

Keith Altham

"a brave effort by Hendrix to produce a musical form which is original and exciting"

The NME reviewed the newly released UK LP in its May 20 issue, alongside chart coverage of 'Purple Haze' and 'The Wind Cries Mary.'

Melody Maker - June 1967

Tony Neale

"I don't know what the hell it's all about but I'm having fun finding out!"

Neale first described the album as unbelievable, basic, honest, unpretentious, progressive and beautiful, then admitted cheerful confusion about what he was hearing.

The Village Voice - June 29, 1967

Richard Goldstein

"There is no sublimity to his music, just brutality."

Goldstein's Monterey report attacked Hendrix's stagecraft, singing and guitar playing, while noting that the instrument-smashing finale drew a roaring, transfixed audience response.

Record World - August 26, 1967

"many other likewise mind-blowing sides for teens attuned to the psychedelic sound"

The unsigned US 'Pick Hits' review highlighted 'Purple Haze' and presented the Reprise LP as a psychedelic record already attracting considerable attention.

Rolling Stone - November 9, 1967

Jon Landau

"Above all this record is unrelentingly violent, and lyrically, inartistically violent at that."

Landau praised Hendrix as a guitarist and arranger but objected to the songs, lyrics and overall attack in Rolling Stone's first issue.